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Introduction
Welcome
Why free of charge?
History
On the CVT research site you will find
Vocal Modes
An introduction to the 4 Vocal Modes
Neutral
Description and sound
Neutral with air
Laryngeal recognition
Waveform recognition
Visual & waveform recognition
18 Stills
Recognition on videos
Test results
Neutral without air
Laryngeal recognition
Waveform recognition
Visual & waveform recognition
Recognition on videos
18 Stills
Test results
Curbing
Description and sound
Laryngeal recognition
Waveform recognition
Visual & waveform recognition
18 Stills
Recognition on videos
High-speed photography
Test results
Overdrive
Description and sound
Laryngeal recognition
Waveform recognition
Visual & waveform recognition
18 Stills
Recognition on videos
High-speed photography
Test results
Edge
Description and sound
Laryngeal recognition
Waveform recognition
Visual & waveform recognition
18 Stills
Recognition on videos
High-speed photography
Test results
Transitions between modes
Alternating from one mode to another
Alternating between Neutral with air and Neutral without air
Alternating between Neutral and Curbing
Alternating between Neutral and Overdrive
Alternating between Neutral and Edge
Alternating between Curbing and Overdrive
Alternating between Curbing and Edge
Alternating between Overdrive and Edge
CVT in Practice
Effects
Introduction to vocal effects
Distortion
Description and sound
Laryngeal recognition
Waveform recognition
Laryngeal & Waveform recognition
High-speed photography
Test results
Creaks & creaking
Description and sound
Laryngeal recognition
Laryngeal & Waveform recognition on videos
Rattle
Description and sound
Laryngeal recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
High-speed photography
Test reults
Growl
Description and sound
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
Test results
Video of cuneiform vibrating against epiglottis
Grunt
Description and sound
Laryngeal recognition
Laryngeal & Waveform recognition on videos
High-speed photography
Test results
Screams
Description and sound
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
Air added
Air added to the voice
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
Vocal breaks
Description and sound
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
High-speed photography
Vibrato
Description and sound
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
High-speed photography
Test results
Ornamentation
Description and sound
Waveform recognition
Laryngeal & Waveform recognition on videos
High-speed photograph
Combined effects
Laryngeal & Waveform recognition on videos
High-speed photography
Effects used in songs
Laryngeal and waveform recognition
Videos of effects used in songs
Sound Colour
Description and sound
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
Twang
Description and sound
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
Anatomy
Anatomy & Physiology
The Throat
The anatomy of the Larynx
Levels of the vocal tract
Video tour through the nose
Technical equipment explained
Endoscopy
Laryngograph
Understanding Laryngeal Stroboscopy
CVT Research Videos
CVT at Conferences
Papers, proceedings, etc.
Acoustic loading of the vocal folds of the singing voice (2015)
The importance of onset features in listeners ‘perception of vocal modes in singing’
Singing Teacher Survey Poster
Acoustical Characteristics of Vocal Modes in Singing
AQL Vocal effects in singing 2013
The singing voice: A vibroacoustic problem
On Acoustic Detection of Vocal Modes
CVT – What kind of concretical help has the method given to singers?
Conferences
Abstracts
April 2014 (PVC, Krakow)
December 2013
November 2013
October 2013
August 2013
June 2013
May 2013
October 2012
July 2012
June 2012
April 2012
August 2011
June 2011
April 2011
August 2010
August 2009
August 2008
August 2007
Videos from conferences
Distortion – Julian McGlashan
Rough effects – Julian McGlashan
The Philosophy behind CVT
A brief run-through of CVT
Go to CVI
Introduction
Welcome
Why free of charge?
History
On the CVT research site you will find
Vocal Modes
An introduction to the 4 Vocal Modes
Neutral
Description and sound
Neutral with air
Laryngeal recognition
Waveform recognition
Visual & waveform recognition
18 Stills
Recognition on videos
Test results
Neutral without air
Laryngeal recognition
Waveform recognition
Visual & waveform recognition
Recognition on videos
18 Stills
Test results
Curbing
Description and sound
Laryngeal recognition
Waveform recognition
Visual & waveform recognition
18 Stills
Recognition on videos
High-speed photography
Test results
Overdrive
Description and sound
Laryngeal recognition
Waveform recognition
Visual & waveform recognition
18 Stills
Recognition on videos
High-speed photography
Test results
Edge
Description and sound
Laryngeal recognition
Waveform recognition
Visual & waveform recognition
18 Stills
Recognition on videos
High-speed photography
Test results
Transitions between modes
Alternating from one mode to another
Alternating between Neutral with air and Neutral without air
Alternating between Neutral and Curbing
Alternating between Neutral and Overdrive
Alternating between Neutral and Edge
Alternating between Curbing and Overdrive
Alternating between Curbing and Edge
Alternating between Overdrive and Edge
CVT in Practice
Effects
Introduction to vocal effects
Distortion
Description and sound
Laryngeal recognition
Waveform recognition
Laryngeal & Waveform recognition
High-speed photography
Test results
Creaks & creaking
Description and sound
Laryngeal recognition
Laryngeal & Waveform recognition on videos
Rattle
Description and sound
Laryngeal recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
High-speed photography
Test reults
Growl
Description and sound
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
Test results
Video of cuneiform vibrating against epiglottis
Grunt
Description and sound
Laryngeal recognition
Laryngeal & Waveform recognition on videos
High-speed photography
Test results
Screams
Description and sound
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
Air added
Air added to the voice
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
Vocal breaks
Description and sound
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
High-speed photography
Vibrato
Description and sound
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
High-speed photography
Test results
Ornamentation
Description and sound
Waveform recognition
Laryngeal & Waveform recognition on videos
High-speed photograph
Combined effects
Laryngeal & Waveform recognition on videos
High-speed photography
Effects used in songs
Laryngeal and waveform recognition
Videos of effects used in songs
Sound Colour
Description and sound
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
Twang
Description and sound
Laryngeal and waveform recognition
Waveform recognition
Laryngeal & Waveform recognition on videos
Anatomy
Anatomy & Physiology
The Throat
The anatomy of the Larynx
Levels of the vocal tract
Video tour through the nose
Technical equipment explained
Endoscopy
Laryngograph
Understanding Laryngeal Stroboscopy
CVT Research Videos
CVT at Conferences
Papers, proceedings, etc.
Acoustic loading of the vocal folds of the singing voice (2015)
The importance of onset features in listeners ‘perception of vocal modes in singing’
Singing Teacher Survey Poster
Acoustical Characteristics of Vocal Modes in Singing
AQL Vocal effects in singing 2013
The singing voice: A vibroacoustic problem
On Acoustic Detection of Vocal Modes
CVT – What kind of concretical help has the method given to singers?
Conferences
Abstracts
April 2014 (PVC, Krakow)
December 2013
November 2013
October 2013
August 2013
June 2013
May 2013
October 2012
July 2012
June 2012
April 2012
August 2011
June 2011
April 2011
August 2010
August 2009
August 2008
August 2007
Videos from conferences
Distortion – Julian McGlashan
Rough effects – Julian McGlashan
The Philosophy behind CVT
A brief run-through of CVT
Definition of terms and glossary
Definition of terms and glossary
RS_admin
2016-05-27T09:38:25+00:00
A
B
C
A
chase
Bad
intonation
Cartilage
Abdomen
Bar
Cartilaginous
part
Accentuate
legato
Bass
boost
Case
story
Acoustic
measure
‘Belting’
now Edge
CCD
Acoustic
signal
Benign
Cells
Acoustic
waveform
Bilateral
Centre
of
a mode
Acoustic
singing
Bite
Character
Active
support
Breathy
attack
Chest
voice
Adam’s
apple
Broad
tongue
Classical
vowel
Air
added
to voice
Closed
phase
Alimentary
tract
Cnoedle
Alteration
of
vowel
Collagen
Anatomy
Coloratura
Anterior
Compressed
tongue
Anterior
cricothyoid
ligament
Compressor/limiter
Anterior/posterior
narrowing
Connected
speech
Anteriorly
Connective
tissue
Anterolateral
Consonant
Apex
Constriction
Articulation
Contact
microphone
Aryepiglottic
fold
Contact
Quotient
Aryepiglotticus
Conus
elasticus
Arytenoid
cartilage
Corniculate
cartilage
Arytenoid
complex
Coronal
Arytenoids
Creak
Assisting
mode
Creaking
Atmospheric
pressure
Crescendo
Attack
Cricoarytenoid
joint
Axial
Cricoid
cartilage
Axis
Cricovocal
membrane
Croon
Cuneiform
cartilage
Curbing
CVT
D
E
F
Decibel
(dB)
Economising
False
cord
Decrescendo
Edge
False
fold
Deep
layer of lamina propria
Effects
Falsetto
Diaphragm
Elastic
fibre
Feed
back
Digital
Laryngograph microprocessor
Elastin
Fibreoptic
nasoendoscope
Direction
of vowel
Emergency
Aid
Fibroblasts
Distinct
twang
Eminence
Fifth
Distortion
Epiglottic
funnel
Flageolet
Dynamics
Electrical
conductance
Flexible
nasoendoscope
Endoscope
Fluent
speech
Epiglottis
Flute
register
Epithelium
F0
Even
Forte
(f)
Extracellular
matrix
Fortissimo
(ff)
Frequencies
of musical notes
Frequency
Full
distortion
Full
metal
Fundamental
frequency
Fx
G
H
I
Glissando
Half
metallic
Improvisation
Glottal
attack
Hammer
vibrato
Incorrect
support
Glottal
gap
Hard
palate
Indirect
laryngoscopy
Glottis
Harmonics
Inferior
Glycosaminoglycans
Head
voice
Inferiorly
Greater
cornu
Head-set
microphone
Inner
hearing
Grid
Hertz
Inner
support
Groove
Hidden
incorrect support
Intentional
Distortion
Growl
High
speed imaging
Interarytenoid
muscles
Grunt
Hyaluronan
Intermediate layer lamina
propria
Hyaluronic
acid
Interval
Hyoepiglottic
ligament
Intonation
Hyoid
bone
Int. Phonetic
Alphabet (IPA)
Hyothyroid
membrane
Hypopharynx
‘Hold’
K
L
M
Karaoke CD/file
Lamina
Macula
flava
‘Knee’
Lamina
propria
Malignant
Laryngeal
inlet
Mandible
Laryngeal
prominence
Medial
Laryngeal
vibrato
Medially
Laryngologist
Median
thyrohyoid ligament
Laryngograph®
Membranous
part of vocal cord
Laryngograph
signal
Merged
sound
Laryngograph
(Lx) waveform
Metal
Laryngopharynx
Metallic
modes
Larynx
Metal-like
Neutral
Lateral
Metronome
Lateral
cricothyroid membrane
Mezzo-forte
(mf)
Lateral
thyroarytenoid muscle
Mezzo-piano
(mp)
Lateral
thyrohyoid ligament
Middle
cricothyroid ligament
Laterally
Middle
hyothyroid ligament
Latissimus
dorsi
Middle
part of the voice
Legato
Middle
thyrohyoid ligament
Lesser
cornu (pl.cornua)
Millisecond
(ms)
Ligament
Mixed
register
Loose
jaw
Modes
Loudness
Monitor
Lumen
Motor
neurons
Lx
Mucin
Lx
waveform
Mucoperichondrium
Mucosa
Mucosal
wave
Mucous
membrane
Mucus
Mucous
gland
Muscle
spindles
Muscular
memory
Muscular
process of the arytenoid cartilage
N
O
P
Nasality
Octave
Partial
vacuum
Nasopharynx
Oedema
Pascal
Natural
support
Open
throat
Perichondrium
Necessary
twang
Oral
Period
Neutral
Oral
Cavity
Petiole
Neutral
with air
Organ
Pharynx
NNE
Ornamentation
technique
Phonation
Nodules
Oropharynx
Phoniatrician
Non-metallic
Oscillate
Phrase
Normalised
Noise Energy
Outer
hearing
Phrasings
Overdrive
Pianissimo
(pp)
Overtones
Piano
(p)
Piriform
fossa
Postcricoid
region
Posterior
Posterior
pharyngeal wall
Posteriorly
Prism
Process
Projection
Pull
in lumbar region
Q
R
S
Quadrangular
membrane
RAP
Saccule
Quadratus
Lumborum
Relative
Average Perturbation
Saddle
joint
Quantitative
measurement
Rattle
Sagittal
Qx
Register
Scream
Reinke’s
space
Simultaneous
attack
Relative
change
Sinus
of larynx
Renaissance
Sinusoidal
Resonance
Soft
palate
Reticular
fibre
Solar
plexus
Rigid
endoscope
Sound
colour
Sound
intensity
Sound
pressure
Sound
pressure level
SPL
Soundwave
Speech
therapist
Split
Staccato
Stiffness
Stretching
of v.c.
Stroboscope
Stroboscopy
Synchronised
stroboscopic images
Sub-dividing
Subglottic
pressure
Sub-register
Subtext
Superficial
Superficial
layer
of the lamina propria
Superior
Superior
cornu
Superior
thyroid notch
Superiorly
Support
Support
value
Supraglottis
Sustained
vowel
T
U
V
Tempo
Unintentional
distortion
Velum
palatinum
Thinning
Upbeat
Ventricle
Three
basic principles
Uvula
Ventricular
band
Threshold
of hearing
Ventricular
ligament
Thyroarytenoid
muscle
Vertical
Thyroepiglotticus
Very
low part of voice
Thyroepigottic
ligament
Vestibular
fold
Thyroepigottic
muscle
Vestibular
ligament
Thyrohyoid
membrane
Vestibule
Thyroid
cartilage
Vibrato
Tissues
Vibratory
cycle
Trachea
Videoscope
Transpose
Vocal
break
Transverse
arytenoid muscle
Vocal
cords
Triads
Vocal
flageolet
Triggers
of uncontrolled constriction
Vocal
folds
Tubercle
Vocal
ligament
Twang
Vocal
Modes
Vocal
nodules
Vocal
process of arytenoid cartilage
Vocal
tract
Vocalis
Vowels
W
Y
Wagner
singers
Yellow
fibres
Waveform
Yodelling