CVT at Conferences

2014

AES (Audio Engineering Society) 137th Convention
Los Angeles, USA, October 2014

• ‘The importance of onset features in listeners’ perception of vocal modes in singing’ Eddy B. Brixen and Cathrine Sadolin

 

PVC (XXII Annual Pacific Voice Conference)
Krakow, Poland, April 2014

• ‘The advantages of a Commonly Accepted Terminology among voice teachers’
• ‘Complete Vocal Technique – an introduction to the method and the research’ Cathrine Sadolin

2013

COST (European Cooperation in the field of Scientific and Technical Research)
Copenhagen, Denmark, December 2013, Advanced Voice Function Assessment in Europe.

• ‘Measuring of singing techniques’ Julian McGlashan and Cathrine Sadolin
• ‘Modern singing techniques’ Ulrik Elholm

 

Ravenna 9th conference on “The singer’s voice”
Ravenna, Italy, November 2013

• ‘Complete Vocal Technique – an introduction to the method and the research’ Cathrine Sadolin workshop

 

AES (Audio Engineering Society) 134th Convention

New York, USA, October 2013

• ‘Miking for PA’ Eddy B. Brixen, Cathrine Sadolin, Nevin Steinberg & Giacome De Caterini, workshop

 

BVA’s (British Voice Association) “Rock & Pop days”

London UK, September 2013

• ‘New findings on Vocal Distortion’ Julian McGlashan & Viktoria Hansen

 

Pevoc 10 (Pan-European Voice Conference)

Prague, Czeck Republic, August, 2013

• ‘Analysis of the mechanism of effects such as Distortion, Growl, Grunt and Rattle used in a healthy way by 18 professional singers’ Cathrine Sadolin
• ‘What descriptors do singing teachers use to describe sound examples?‘ Julian McGlashan
• ‘The advantages of a common accepted terminology among voice teachers‘ 
• ‘Can singing teachers trained in a pedagogic method (Complete Vocal Technique) reliably identify elements of sung sound examples?’ Cathrine Sadolin Julian McGlashan Poster  (Poster)
• ‘How to avoid a teachers burn out, and at the same time improve the students learning process. Placing of responsibility in singing tuition’ Lise Liv Skovgaard
• ‘Effective and healthy practice methods for singers’ Annika Holmberg workshop
• ‘Artistry – What is it and How to Teach It’ Ville Laksonen workshop

AQL (10th International Conference on Advances in Quantitative Lagyngology, Voice, Speech Research)
Cincinnati, Ohio, US, June 2013

• ‘Vocal effects in singing: a study of intentional distortion using laryngostroboscopy and electrolaryngography’ Julian McGlashan  (Video) (Proceeding)

 

AES (Audio Engenering Society)
Rome, Italy, May 2013

• ‘Acoustical Characteristics of Vocal Modes in Singing’. Eddy Bøgh Brixen presentation of paper (Paper)
• ‘Miking for PA’ Eddy B. Brixen, Cathrine Sadolin, Giacome De Caterini & Igor Fiorini workshop

 

2012:

AES (Audio Engenering Society)
San Francisco, US, October 2012

• ‘What Every Sound Engineer Should Know about the Voice’ Eddy B. Brixen, Cathrine Sadolin workshop

 

BACO 13th (British Academic Conference in Otolanryngology)
Glascow, Scotland, July 2012

• ‘Management of the singing voice’ Cathrine Sadolin TheVoice Foundation (41^st Annual symposium)

 

The Voice Foundation (41st Annual symposium)

Philadelphia, USA, June/July 2012

• ‘Run-through of Complete Vocal Technique With a Special Focus on Rough Singing and Vocal Effects and How to Perform Them in a Healthy Way’ Cathrine Sadolin workshop

 

AES (Audio Engenering Society)
Budapest, Hungary, April 2012

• ‘On acoustic detection of vocal modes’ Eddy B. Brixen presentation of paper (Paper)

 

2011:

Pevoc 9 (Pan-European Voice Conference)
Marseille, France, August 2011

• ‘To Break or not to break – that is a choice!’ Cathrine Sadolin & Julian McGlashan workshop
• ‘The effect of vocal tract impedance on the vocal folds’ Finn Agerkvist
• ‘Voice teachers’ pedagogical thinking’ Ville Laksonen workshop
  

AES (Audio Engenering Society)
New York, US, June 2011

• ‘What Every Sound Engineer Should Know about the Voice’ Eddy B. Brixen, Cathrine Sadolin workshop

 

AES (Audio Engenering Society)

London, UK, April 2011

• ‘What Every Sound Engineer Should Know about the Voice’ Cathrine Sadolin, Julian McGlashan, Adrian Fourcin, Eddy B. Brixen, Mikkel Nyman workshop

 

2010:

BVA (British Voice Association) (choice for voice)

London, UK, August 2010

• ‘Laryngeal gestures and Laryngograph waveforms associated with the four vocal modes described in the Complete Vocal Technique method of singing teaching’ Cathrine Sadolin & Julian McGlashan
• ‘Complete Vocal Technique: Neutral, Curbing, Overdrive and Edge – the four vocal modes in practise’ Cathrine Sadolin workshop
• ‘Power and safety in voice production – acoustic control’

 

2009:

BVA (British Voice Association) (Pop & rock day)
London, UK, 2009

• Cathrine Sadolin presentation

 

Pevoc 8 (Pan-European Voice Conference)
Dresden, Germany, August 2009

• ‘Healthy production of rough vocal effects and other sounds that by many is considered harming for the voice’ Cathrine Sadolin workshop

 

BVA (British Voice Association) (honouring Adrian Fourcin)
London, UK, 2009

• Julian McGlashan presentation

 

2008:

BVA (British Voice Association) (choice for voice)
London, UK, August 2008

• ‘A study of extreme singing vocal effects including distortion, rattle, growling and grunting’ Julian McGlashan, Cathrine Sadolin

 

2007:

Pevoc 7 (Pan-European Voice Conference)
Groningen, Netherlands, August, 2007

• ‘Can vocal effects such as distortion, grunting and growling be produced without traumatising the vocal folds?’ Julian McGlashan, Cathrine Sadolin + invited speaker (Video)
• ‘Assessing the validity of a method for classification of the singing voice into four vocal modes as taught by ’Complete Vocal Technique’’ Nazia Munir, Cathrine Sadolin, Paul Silcocks, Julian McGlashan
• ‘Complete Vocal Technique’, a new approach to singing technique for all styles of music and speech. A run-through, and a Master Class with 2 – 4 singers’ Cathrine Sadolin workshop (Video 1) (Video 2)
• ‘Teaching pop, Rock and other dangerous qualities’ Forum participants: Jeroen Manuhutu & Cathrine Sadolin

 

2006:

BACO (British Academic Conference in Otolanryngology)
Birmingham, UK, 2006

• Cathrine Sadolin workshop + panel

 

2005:

ICVT (International Congress of Voice Teachers)
Vancouver, Canada, June 2005

• Cathrine Sadolin workshop

 

Pevoc 6 (Pan-European Voice Conference)
London, UK, August 2005

• Cathrine Sadolin workshop

 

2004:

BVA (British Voice Association) (Pop & Noise)
London, UK, 2004

• Cathrine Sadolin workshop

 

2003:

EUROVOX (Congress of the European Voice Teachers Association) (Body and Soul)
Oslo, Norway, 2003

• Cathrine Sadolin presentation

 

NSPF (Norsk Stemmepedagogisk Forum)
Stavanger, Norway, 2003

• Cathrine Sadolin presentation

 

2002:

NSPF (Norsk Stemmepedagogisk Forum)
Oslo, Norway, 2002

• Cathrine Sadolin presentation

 

1999:

NMPU (Nordisk Musik pædagogisk Union)
Arvika, Sweden, 1999

• Cathrine Sadolin presentation

 

1998:

International Videnskap festival
Göteborg, Sweden, 1998

• Cathrine Sadolin presentation

 

1996:

IMC of UNESCO Congress (International Music Council)
Copenhagen, Denmark, 1996

• Cathrine Sadolin presentation